‘Tumbar’ fame Soham is releasing in the new evening film ‘Crazy’ theaters. The teaser-trailer of ‘Crazy’ has awakened the interest of the people and the excitement is also seen in the film Lovers. But one thing from ‘Crazy’ disappointed the public and on social media it got a lot of negative reaction from the public. Actually, in Soham Shah’s film, ‘Satya’ (1998 )’s iconic song ‘Goli Mar Ghee Me’ has been remixed. The music of the new song, or its mixing or something, this song was very disappointed by this song at a general level. The testimony of this matter is full on social media.
There is also a problem that some things become so iconic that his fans are upset with the idea of ​​being packaged again. ‘Gholi Maae Mein’ is actually one such song. This song, contender for the top position in Bollywood’s gangster songs, has been making the public crazy for 27 years. Then recreate the song in ‘Crazy’, where was it going to digest the film Lovers!
Although the public is testing the remix version of ‘shot in’ in ‘, its original version in’ Satya ‘itself was only a few fun coincidences. Although ‘Satya’ is a miraculous story of joining interesting coincidences as the entire film, but that story was ever again. At the moment, the story of the film’s director-writer-musician and lyricist in the sende of this song is presented.
‘Make my film a little soft’
If we keep the story of ‘Satya’, then its music album also got tremendous popularity. However, the most interesting and shocking thing is that director Ram Gopal Varma did not want to put songs in this film. Actually, if you understand this film, Verma’s focus was completely on making a film in which it was seen that those who are involved in the terrible incidents who are coming in the headlines of gangster newspapers, how is his routine life?
It is from this question that it must have been so difficult to put songs in ‘Satya’. If a filmmaker is putting a stylish gangster like ‘Don’ on the screen, then the scope of songs is quite well. There is a fiction gangster story, so there is also a scope for having romantic songs in it. But Ram Gopal Varma was not making anything like this. He wanted to show the real life of gangsters, perhaps that is why he was not in favor of keeping songs in the film earlier. But after half the film was shot, his mood changed.
Like all the people of the industry, Verma was also a fan of the song ‘Chappa Chappa’ from the film ‘Machis’. He had given Vishal work in another film being made in his production, which was directed by Kannan Iyer. This film was not made and that music of Vishal was also not used anywhere. But Verma continued to remain in Vishal’s touch.
Vishal Bhardwaj, music director of ‘Satya’ in Uday Bhatia’s book Bullets Over Bombay, said, ‘Ramu was making’ Satya ‘without songs. In between, he changed his intention. One day he came to me and said- My film is very violent, so make it a little soft with your music. At that time, making a film without songs was no less than a revolution in itself. Was there any such pressure from Verma to Verma? Vishal said that he has no idea about this.
When Vishal bombed under gum, blowing gum
For ‘Satya’, Vishal composed the first song ‘Wet Wet Pani’, while ‘Goli Mar Bhee’ was the last song of the album. But there was such a difficulty about this last song that Verma said to Vishal, ‘Now I will never work with you.’
Verma had told Vishal for this song that he should have a song with ‘Drunken Gangsters’. Vishal made a tune and added improvised lyrics to him- ‘When there will be sorrow, then we will drink the talak … bomb the bomb under the gum and blow gum.’ While Vishal songs were composing, he was working with the iconic lyricist Gulzar of Hindi films to write lyrics in the film.
When Vishal narrated the song to Gulzar, he liked the tune very much, but he felt very ‘average’. Gulzar again wrote new lyrics of this song but Verma did not like it. So he wrote a new version, Verma did not like anything special, but how would he refuse a super-serious person like Gulzar! Verma told Vishal with full confidence that he wants to record the song along with his temporary lines.
Vishal agreed but he told Verma that it would be his responsibility to tell Gulzar. Verma also said that ‘I will tell you later.’ But Vishal was not ready, he said that it would be like cheating Gulzar Saheb. Seeing his stubbornness, Verma got angry and said, ‘I will never work with you again.’ Finally, this song was recorded along with Gulzar’s lines- in the shot, that the sent makes noise. Verma was sure that his song had deteriorated badly. Vishal told, ‘They stopped talking to me. He said that we will keep it in the album but will not shoot.
Sanyog performed the game and Ramu shot a rough version of this song at Kallu Mama’s base in ‘Satya’. About a year and a half after the film’s release, Verma reached Vishal Bhardwaj’s house carrying a bottle of Vodka at midnight and said, ‘I have to do a confession. Gulzar Saheb proved us all wrong. I was stupid who was rejecting the lyrics.
The full song was shot in 4-5 hours
The tune became, lyrics were written and the song was ready. But there was no less drama in the shoot of this song. ‘Satya’ was a professor in a university in the US, the Garrd Hooper, and came to India to shoot ‘Satya’ only on a 3 -month holiday. Until it came to shoot ‘in the shot’, they had to come back. One night before the shooting, a person doing production handle asked Verma to ask that Hooper is going, so what to do about the next day’s shoot? If Verma did not pick up the phone, J. playing the lead role in the call ‘Satya’. D. Chakraborty, who used to live with Verma often. J. When D. asked Verma, he said, keep the phone now in the morning.
The choreographer of ‘Satya’ was Ahmed Khan, who was working on another film being shot in Goa. For Ram Gopal Varma, he used to travel from Goa to Mumbai between the two shoots. So first of all he was told that tomorrow’s shoot is canceled. The next morning Verma Asked D. He called everyone on the shoot.
In an interview to Times of India, J.K. D. said, ‘He said that we are paying payment for the shoot in this shift, so I become a cameraman and you become a dance master. You compose and I am shooting. Verma had also asked all the actors to think of the dance step, J.K. As D. Choreographer was just keeping in mind that the feel of the scene should not be spoiled. And the feel was- ‘Drunken gangsters’ party. So today the chaos you see in the video of ‘Goli Marre Mein’ was actually shot in 4-5 hours, without choreographer and cinematographer of the film.
In the list of Gulzar’s songs, there is a song ‘Goli Marre’, whose lyrics do not seem to be written. A few years later, in an interview, he told, ‘I wrote a song for a character who is very violent, a man who does not listen to anyone and shoots people who do not agree or come on the way. He will not sing Ghalib’s ghazal after drinking alcohol and not Dil-e-Nadan Tujhe … ‘How will he express his emotion like this? So what will he sing? In the shot, he sent noise.