Then the truth was silent. Dadasaheb Phalke had made a feeling of Indian cinema from the very first film of Indian cinema. Despite this, its experimental cinema wandered. Slowly, he continued to disorient and wander. It seems that it was decided that the truth would be silent, but will be understood. 115 years ago, Indian cinema’s first film Satyadi Raja Harishchandra was a silent picture. Nearly two decades after this, Indian cinema got a tongue from the film Alam Ara. Since then, we know how healthy cinema we have received till now. Beyond the idea of India, the work of serving fake heroism of invaders, terrorists, criminals in cinema. & Nbsp;
The latest release film Chhava has once again made a realization that Indian cinema has the ability to give better to the audience while keeping the economic side. He does not lack true and good stories. Alamara, Alexander, Mughal-e-Azam, Jahan Ara, Anarkali, Humayun, Genghis Khan, Mr. Natwarlal, Daud Hasina Parkar, Haji Mastan, Karim Lala and other goons and other goons and invaders have no matter. Nevertheless, the society was confused by making these elements a hero through Indian cinema. However, the discourse that was prepared is being demolished. The demand for time is of aware cinema. So that the society can understand the truth and facts by taking lessons from the past.
Undoubtedly there is scope for balance in every case. There can be no limit to the nation service and dedication, sacrifice, sacrifice, the balance can be exceeded here. Yes, this situation affects them, whose agenda was to spread confusion through many types of mediums. It is well known that in the past we have been innumerable glorious symbols, but the process of suppressing, hiding, removing, erasing and not telling was that their intention was bad, because Mahima Mandan was to be done by them, the stream from which our nation has no connection with Was, if it was, then it is only of pain and repentance.
Well, leaving the terrorists in the right Indian cinema, the packaging of truths started. Now a category is extremely upset by topics like Indian pride, instead of Indian pride. Silver was shamelessly served on the screen. Its dialogue made a discussion that films run only with three things and that is & nbsp; Entertainment, Entertainment, Entertainment & Hellip;. & nbsp; Now there is a question, who is the one who is shouting every Mahadev on the patriotism of Sambhaji in view of the film Chhava. Who is the one who is crying in theaters after seeing the sacrifice of Veer Shiromani Sambha ji in the scenes of this film. Films like Kesari, Shaheed Udham Singh are enough to tell that now the films run not only with entertainment, entertainment and entertainment, but also with the right subject and great content. & nbsp;
Now if the glorious history is ours, then we have to bear the responsibility of bringing it out. Even today, it is taught in many places that in the 1971 war, Pakistan, Pakistan had achieved conquest and such a history in other countries today holds high positions in A Plus Plus Grade Universities of India and they are well Know that we also tell people like it. Back to back South Indian cinema, which set the records of success on the subjects, seemed to be creeping Hindi cinema, but now the falling Hindi cinema is eager to be careful.
The film came in 1941, Sinkandar, in which the war of India’s famous king Porus and Alexander were described as inspired by nationalism, but from the poster to the screen belonged to the heroism Alexander. Had the circumstances been the first, then in the chhawa, from the poster to the screen instead of Sambhaji Raje, Orangzeb would have seen the same. & Nbsp;
The three -day collection of the leaf has crossed 100 crores, now the second filmmaker will definitely be forced to think that good films are in demand in India. Padmavat, Bajirao, Kesari, Tanhaji, Udham Singh, Sam Bahadur, Manikarnika, Prithviraj Chauhan, Panipat, Veer Savarkar, Ram Sethu, Atomic, Acid Attack Survivor Lakshmi Aggarwal’s life -based film Chhapak, the country’s first women’s Air Force Pilot Gunjan Saxena The Kargil Girl, Mathematician Anand Kumar based super 33, twelfth failure, & lsquo; The Sky Is Pink & rsquo; Stay. & Nbsp;
[नोट- उपरोक्त दिए गए विचार लेखक के व्यक्तिगत विचार हैं. यह ज़रूरी नहीं है कि एबीपी न्यूज़ ग्रुप इससे सहमत हो. इस लेख से जुड़े सभी दावे या आपत्ति के लिए सिर्फ लेखक ही ज़िम्मेदार है.]& nbsp;