The first glimpse of the grand Ram Darbar located in the Shri Ram Janmabhoomi campus in Ayodhya has filled the whole country with a unique spiritual feeling. The first philosophy and life of this divine scene was duly performed by Uttar Pradesh Chief Minister Yogi Adityanath. This occasion became a symbol of cultural consciousness and emotional unity of the nation, not only from a religious point of view.
Yogi Adityanath gave his life to the idols of Lord Shri Ram and other deities amidst the Vedic chanting methodically. On this occasion, he prayed to Lord Shri Ram for the prosperity, social harmony and public welfare of the state. This is the second time that the life prestige has been completed on such a grand level in the Shri Ram temple. For the first time in January 2024, the statue of Shri Ram Lala was reputable.
This statue of Ram Darbar, in which Shri Ram, Sita Mata, Lakshmana, Bharata, Shatrughna and Hanumanji are sitting together, have become a symbol of whole religious philosophy, family dignity and devotion.
Foreign and posture of Lord Shri Ram: Kashi silk, dignity of bandhej and royal divinity
The statue of Lord Shri Ram in the middle of Rama Durbar reflects the culmination of divinity, restraint and dignity. His dress is extremely traditional, rich and symbolic. The famous silk silk cloth of Kashi is used in it. This dress contains a fine printing of a light dye of Bandhej (Bandhani), which shows the traditional beauty of Indian textile craft. Dress designer Manish Tripathi says that Lord Rama has wears a yellow silk dhoti, which is not only a symbol of auspiciousness and purity, but it also represents the intellect, wisdom and sharp.
The fine and elegant work of golden zari has been done on the edges and edges of the dhoti, which makes the garment more grand and royal. The finger that falls down from the waving shoulder at his chest, is made of the same yellow-free silk fabric, which is a symbol of their royal dignity and religious life.
The forehead of Lord Rama is embellished with a golden crown, which has artistic design with red, green and blue rubies. Above the crown is the elevated Kalashikar top, which is a symbol of their dominance. The diverse garlands of swinging earrings in their ears, hard and armor in their hands, and various garlands of pearls, gold, Rudraksha and gems are reflected by their glorious divinity.
Lord Rama has a lotus flower in his right hand, which is a symbol of mildness, compassion and peace. This flower indicates that they are externally a powerful warrior, but are humble, generous and gentle with inner being. He has a bow in his left hand, which is a symbol of his Kshatra religion, protector form, and readiness to fight for religion.
He is seated in Padmasana posture on the throne. Two lions are inscribed near his feet, which symbolize courage and durability. His face is very calm, compassionate and stunning. As if even while imbibing the suffering of all creation, they never get distracted by dignity and justice. There is neither anger nor conceit in his posture; Neither performs more weapons, nor excess of luxury. This balance makes them ‘Maryada Purushottam’ – a king who is not only powerful, but also the head of all -round, Prajavatsal and policy.
Mother Sita’s dress and currency: symbol of renunciation, beauty and divinity
Mother Sita, who is sitting on the right side of Lord Shri Ram in Ram Darbar, is not just a queen, but Indian women are the tangible form of ideal, virtuous religion, sacrifice and vatsalya. His costume is a symbol of traditional Indian royal tradition. She has wearing a dark pink colored Kashi silk saree, which has fine printing of Bandhej (Bandhani) and a fine act of golden zari. This apparel is probably inspired by styles of both saris and lehenga, which reflects the goddess dignity with waist and pleats.
Sita ji also has a golden crown on her head, in which gems are held – which show her the form of Goddess Lakshmi. Their necklace around his neck, a garland of beads, and bracelets in their wrist, armor in the waist, and the feet in the legs – who distinguish them in the role of both Rajmata and Devi.
His face is calm, gentle and full of vatsalya. He has worn a lotus flower in his right hand, which is a symbol of compassion, motherhood and purity. His eyes have a glimpse of affection and blessings towards the devotees. His posture is a sign of complete dedication and self -confidence. Where she becomes a symbol of husband’s dignity along with husband religion, Sita sitting with Ram, not only wife, is the perfection of ‘Rampat’ in ‘Shakti’.
Laxman ji’s dress and status: lively statue of service, sacrifice and dedication
The Rama is the most distinguished on the left side of the court, Laxman ji, who is a symbol of devotion, sacrifice and pioneering as an exclusive follower, servant and younger brother of Lord Rama. His costume is very simple but dignified. He is wearing a yellow silk dhoti, which is a symbol of Guru Seva, Dishya and Tej. The finger above them is green, which reflects balance, gentleness and spiritual peace. Angavastra is placed on the shoulder from one side, which shows their humility and restraint.
Laxman ji’s dress has been embroidered with golden zari, and they are wearing crowns on the head, beads and gold in the neck, and wearing armlets in the wrist and arms. His face is extremely calm, devoted and dedicated.
He has held a wreath in both hands, and stands looking at Shri Ram. This is a symbol of his selfless devotion and the spirit of being ready in service. Lakshmana is not only standing with Rama, but is also the tangible expression of the permanent feeling, duties and dedication of Rashtva.
Hanuman ji’s dress and currency:
Hanuman ji is sitting in the most revered posture in Ram Darbar. He is seen worshiping at the feet of Lord Rama. He is wearing yellow dhoti, which is a symbol of force, energy and service. A red colored strap is tied on the waist, which reflects their warships and sharpness of devotion.
They have crowns on their heads and throat, armlets and other ornaments on the body. He is sitting at the feet of Shri Ram with folded hands. His posture is of complete dedication, devotion and humility. On his face, the pleasure and peace of God philosophy is clearly visible.
Seeing this posture of Hanuman ji, this feeling automatically arises that ego has no place in true devotion. They not only consider their God to be adorable, but consider them the center of full life.
Bharat ji’s dress and currency: a symbol of dedication and loyalty
Bharat ji is sitting in front of Lord Rama and mother Sita in Ram Darbar, who is considered a symbol of service, dedication and ideal discipline. He has wearing yellow silk dhoti, which is a symbol of knowledge, purity and positive energy. Blue colored fingers on their shoulders wave, which signifies peace, stability and faith.
Bharat ji is adorned with a small gold crown on his head and is adorning various necklaces of pearls and gold in his neck. He is holding a wreath in one hand. Which reflects humility and devotion. Their face is serious, vineit and meditated. It is clear from Bharat ji’s posture that he is completely dedicated, religious and duty -dutting at the feet of his Rama.
Shatrughan ji’s dress and status: Selfless service and image of fraternity
In the Ram Durbar, Shatrughan ji is standing on the right side of Lord Shri Ram, who is considered a symbol of selfless service, sacrifice and devotion. He has worn a purple colored organ and yellow silk dhoti. Purple color is a symbol of sacrifice and devotion, while yellow color is a symbol of service and purity. Beautiful embroidery of golden zari has been done on their clothes.
Shatrughan ji’s head is beautified a small golden crown, and jewelery such as necklaces, bracelets, armlets show him as a royal and disciplined warrior. He has taken a flower in one hand and the other hand is in Vandan or blessing posture, which reflects his humility and reverence. Their calm posture shows that they consider religion and brother love to be supreme rather than state, power or respect.
Glory of Ram Darbar
This grand presentation of the Ram Darbar is not only a collection of idols, but a lively replica of the overall ideals of religion, devotion and dignity. Each character’s clothing, their posture and their position shows how important responsibility, love and sacrifice is in every relationship of life. The joint presence of all these characters shows that the role of family, servants and colleagues is equally important not only in the creation of an ideal society. The special thing is that the clothes of these idols will be replaced every week, and each time they will represent the traditional textiles and clothes of at least two Indian states. This will not only reflect the cultural diversity of India, but will also give a strong message of unity and harmony of the country through the Ram Durbar.